Tryck Groda® Gtös Baren™
Våra "Andra" Studio Print Grodor är ett prisvärt alternativ. Dessa är Print Frog ® Glass Barens ™ som har klarat Matts stränga tester men som har ett mindre kosmetiskt fel (som ett lätt vinklat handtag, märken på glaset, eller kanske inte är lika tunga eller överlag lika stora som våra vanliga Print Frogs). Trots detta presterar den exceptionellt bra och vi kan erbjuda den till ett reducerat pris för att hjälpa behövande.
Tryck Groda® Gtös Baren™
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Efficient: Smooth, dense glass provides steady, even pressure and glides effortlessly across paper.
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Easy to Use: Intuitive to learn. Suitable for beginners, educators, and working printmakers.
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Comfortable: Ergonomic handle (original to Matt’s design) supports long printing sessions without hand strain.
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Durable: Made from solid glass, resistant to studio chemicals, and built to last a lifetime.
Tryck Groda® Gtös Baren™
Feature
Original Shape & Design
Embedded or Applied Logo
Craftsmanship
Source
What to Look For
Designed by master printmaker Matt Bagley for printmaking
The Iron Frog Press logo is embedded in the glass or appears as the official logo sticker applied by us. Our main product photos always show the authentic logo placement.
Smooth curvature, consistent finish, and quality weight
Originally designed and produced for Iron Frog Press; authentic Print Frog® Glass Barens are sold through Iron Frog Press and its authorized sales channels.
Authentic Original Print Frog® Glass Barens are sold through Iron Frog Press and its authorized sales channels.
Print Frog® Timeline
2012 — The Idea Takes Shape
Matt Bagley later recalled that development of the Print Frog began in 2012.
April 25, 2013 — The Print Frog Goes on Sale
Iron Frog Press announced that the Print Frog was now available for sale. The original post included a photo of the glass baren.
2013 — Out in the Printmaking Community
Iron Frog Press participated in PrintHouston's It Came From the Bayou II in Houston.
2014 — Printmakers Take Notice
The Print Frog was being used and written about by other printmakers, including R&D Editions.
2015 — Shared with the SGCI Community
The Print Frog was shared with the Southern Graphics Council International community through Graphic Impressions, where Iron Frog Press described it as a high-performance glass baren. That same year, the Print Frog became available through The Printing Museum in Houston.
Today — Still Made for Printmakers
The Print Frog® family includes the Studio, Pro, Froglette, and Tadpole.
Tryck Groda® Gtös Baren™
Matt Bagley developed the Print Frog® Glass Baren out of his own relief-printing practice. He wanted a dedicated hand-printing tool that could provide the weight, control, and working surface he needed when printing difficult and large blocks.
By April 25, 2013, Iron Frog Press was publicly selling the Print Frog. In a contemporaneous Facebook post, Matt announced, “I’m now selling these Print Frogs,” accompanied by a photograph of the glass baren and a description of its use for burnishing woodblocks.
The design continued to develop through studio use, testing, and feedback from other printmakers. Today, every Print Frog® Glass Baren begins with Matt Bagley's design and is handcrafted by professional glass artisans working to his specifications exclusively for Iron Frog Press.
Tryck Groda® Gtös Baren™
Ieuan Edwards – The Black Gold Press Instagram: @blackgoldpress
"I picked up a Print Frog not long after taking up printmaking. I had a small book press but wanted to make larger work; but at that stage, as a home printmaker, I couldn’t justify buying a more chunky press due to financial and space constraints. I quickly became a convert and, some years later, it’s my favourite way of making prints. My print in the Royal Academy Summer Exhibition this year was made using the Frog. It obviously requires a touch more effort than a fancy etching press, but I enjoy the physical nature of hand burnishing and it’s a thing of beauty in its own right. The portability makes it a great tool for teaching and demonstrating that kitchen table printmaking doesn’t have to mean struggling with a wooden spoon!”
Lili Arnold – Lili Arnold Studios
Instagram: @liliarnoldstudios
“The Print Frog is the only baren I use, and probably will ever use! It just feels wonderful in my palm and the natural weight of the glass allows for a gentle and smooth burnish. It’s also just a beautiful object that I’m proud to display in my studio!”
Benjamin Muñoz
Instagram: @thebenmunoz
“I use the Print Frog often, and I printed my Endless Endeavor series using only Print Frogs. Three printmakers and I pulled the full editions from the series of 8ft by 4ft woodcuts totaling 18 prints at 100x52 each. I use them regularly around the studio, even when not printing, they make great paperweights and can work as an extra set of hands. I have two studios here in Dallas, one in north Dallas and the other in west Dallas. I can't move my press back and forth, but I can throw a Print Frog in my backpack and print in whichever studio I need to be in that day. I would recommend every printmaker have one or five of them.”
Lenny Lane
Instagram: @linolennyprints
“Print Frog has totally changed how I work in my relief printmaking practice. Since 2017 I’ve found it to be highly versatile for creating all my prints, large and small, without a press or large studio space. It’s paid for itself several times over. It fits the hand very comfortably and has some excellent weight properties that reduce the amount of physical effort required to take quality impressions. Being small it also works like a dream for taking to classes and demos. I highly recommended for anyone thinking about hand tools for relief printmaking.”
Kim Herringe
Instagram: @kimherringe
"I love love love my Print Frog! Its weight. How it feels in my hand. How sexy it looks. The ball handle is so easy to hold (especially for computer-mouse-worn wrists), and its weight does half the work for me. The curves in the glass are fabulous for getting to the stubborn areas of the Lino block. And its a favourite for students to work with in my linocut workshops. It really is a very treasured and special tool in my printmaking studio."